Intimacy by THOMAS BLACKSHEAR
This is an art print on paper created using the typical offset lithograph method.
"The Intimacy Painting has two sides to it" Thomas explains. "On one side, the woman held several masks near her face symbols of the bland or false masks that people wear when they go into the word to socialize and do business. " The right side of the woman's face revealed her beautiful glaze, a beam of light radiating from her body, and a beautiful flower garden representing what Thomas calls, "that true color of herself".
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Thomas Blackshear II, the son of an Air Force captain, was born in Waco, Texas, and grew up in 
Atlanta, Georgia. “Drawing was all I ever liked to do,” he says. “While all the other guys were playing baseball or basketball, I was in my house, drawing.” Thomas Blackshear pursued an interest in art throughout high school, securing a scholarship to the Art Institute of Chicago. After a year there, Thomas Blackshear transferred to the nearby Academy of Art. While finishing his college education, Thomas Blackshear was recruited by Hallmark Cards and later became the apprentice of illustrator Mark English.
Thomas Blackshear settled in Kansas City, where he became head illustrator at the prestigious Godbold/Richter Studio. A year later, Thomas Blackshear began a prosperous freelance career, illustrating many advertisements, several U.S. Postal Service stamp collections—one called “Black Heritage,” another on classic movies, and a third on jazz musicians - and several series of Hamilton Group collector’s plates featuring scenes from Star Wars, Star Trek, and The Wizard of Oz. Although Thomas Blackshear was successful, he was dissatisfied and decided to pursue a career in fine art.
Thomas Blackshear has received many awards for his artwork, including the Society of Illustrators’ coveted Gold Medal. Thomas Blackshear was profiled on The Living Canvas, an art magazine of the airwaves that was shown on public television, and Thomas Blackshear has been featured on the Ebony/Jet Showcase and The 700 Club, and in The Saturday Evening Post. An exhibit of Thomas Blackshear's original works for the Black Heritage stamp series premiered in 1992 at the Smithsonian’s National Museum of American History and subsequently toured the United States.